Welcome to Jogja

Ullen Sentalu is a private museum that was initiated by Haryono family and now is managed by Ulating Blencong Foundation. It was established in 1994 and officially inaugurated on March 1, 1997, coinciding with the date commemorated every year as a historical day for Jogjakarta City. The inauguration was done by KGPAA Paku Alam VIII, who was at that time the Governor of Jogjakarta Special Province. The existence of Ullen Sentalu Museum can't be separated with Kaswargan Park. The museum is located  on Kaliurang historic sites, such as  Hastorenggo Guesthouse building which owned by Sultan Hamengkubuwono VII (1877-1921) and  Kaliurang Three Nations Commission Building.

The word of 'Ullen Sentalu' is acronym of the Java language that is 'Ulating bLENcong SEjatiNing TAtaraning LUmaku', if translated roughly mean 'the Light of Life for Human Journey.' This museum is one of Javanese culture and art museums in the Jogjakarta . The museum was inspired by the love of a family who grew up in the batik and textiles influenced  the love of a family who grew up in the environment of batik and textiles. In 1970's, many ancient batik was chased by collectors,  later people who love much with batik founded a foundation to save ancient batik. They choose Ulen Sentanu Museum as a museum who display and keep up some ancient batik. These efforts was received positive response from the 4 member of the Kingdom of Mataram Dynasty. They were been board foundation,  Sri Paduka Paku Alam VIII (Pengageng Pura Paku Alaman 1937-1998), Sunan Pakubuwono XII (Sultan of Kasunanan Surakarta 1945-2004), Ratu Gusti Alit KGPH Kanjeng Poeger (Uncle of Sri Sultan HB X Ngayogyakarta Hadiningrat 1989), and Nurul GRAy Kusumawardhani (Princess Consort Sri Mangkunegara VII).

The Ullen Sentalu Museum was received a grant of personal items to complete the collection. In the museum, you can see manuscripts and historical photographs of the palace as well as other interesting images of people and events during the colonial era. There are various artifacts, and many oil paintings, including painted portraits of various sultans and also their family. The detail of the museum is dominated by beautiful architecture which its concept to harmonize nature and human. The conceptor is DR. KP. Samuel Widyadiningrat. Ullen Sentalu Museum has two main buildings, first Guwa Selo Giri (catacomb) and second, Village Kambang (complex of buildings on the pond water). Village Kambang is built of Sekar Kedaton Bale, Pendapa Pengantin Jogja venue, Batik Yogyakarta venue and Surakarta venue and Pesisiran Batik venue. The museum collections are stored in Guwa Selo Giri and Kampong Kambang.

Jogjakarta is one of the most popular tourist destination after Bali. When you visit jogJakarta, you have a favorite spot, characteristic of this city, Malioboro. Malioboro is the name of the street in Jogjakarta, which consists of Pangeran Mangkubumi Street and Jendral A. Yani Street. Malioboro is most famous street and the main destination for tourists when visiting Jogja. Along Malioboro street there are many sidewalk vendors who sell goods marked in Jogjakarta. The variety products that they are offered from knick-knacks, silver jewelry, batik art, crafts, accessories, batik and art good. Close to Malioboro, there are several historical objects that nice to visit such as the Tugu Jogyakarta, Tugu Station, Gedung Agung, Pasar Bringharjo, Benteng Vredeburg, and a Memorial Serangan Oemoem 1 Maret. You can see Andong in this street, it is a horse-powered transportation equipment. You can take tour and enjoying the beauty of the city of Jogjakarta.

So, Please go to Malioboro Street and enjoy the culture of Java. From Malioboro, you can visit Keraton Jogjakarta (royal palace), Prambanan Temple, Watercastle, Borobudur Temple and Mendut Temple.The temples are near to Malioboro. Jogjakarta also called as gudeg city. Gudeg is the extraordinary food that can be found in this place. You can eat gudeg around Malioboro Street. Especially at the night, this street is more crowded by tourists and local people who want to spend time there. Please taste the old tradition and unique Javanese culture by exploring the charming of the traditional city. Enjoy and speak louder to the world. Jogja is very nice..

***Once upon a time, there was a kingdom named Prambanan. The people lived peacefully. However, soon their happy lives were disturbed by Pengging Kingdom. The king, Bandung Bondowoso, wanted to occupy Prambanan. He was a mean king. The war between Prambanan and Pengging could not be avoided. Prambanan lost the war and led by the new king, Bandung Bondowoso. Pengging could win the war because Bandung Bondongwoso had a supernatural power. His soldiers were not only humans but also genies. Those creatures always obeyed Bandung Bondowoso. They always did whatever Bandung Bondowoso asked them to do. The king of Prambanan had a beautiful daughter. Her name was Loro Jonggrang. Bandung Bondowoso fell in love with her and wanted to marry her.

"If you want to marry me, you have to build a thousand of temples in just one night," said Loro Jonggrang. She hated Bandung Bondowoso because he made the people of Prambanan suffered. "What? Impossible! You just gave me an excuse for not marrying me!" said Bandung Bondowoso. But he did not give up. He asked the genies to help him. Then all those genies worked hard to build the 1.000 temples. Meanwhile, Loro Jonggrang heard from the lady-inwaiting that the building of 1.000 temples was almost finished. She was so scared; she did not want to marry Bandung Bondowoso. And then she had a great idea. She asked all the ladies-inwaiting to help her. "Please prepare a lot of straw and mortar. Come on! Hurry up!" said Loro Jonggrang. All those ladies-in-waiting were confused. They did not know why Loro Jonggrang asked them to prepare a lot of straw and mortars in the middle of the night.

"Listen, all those genies are building the temples, right? We have to stop them by burning the straw and make some noise by pounding the mortar. The genies will think that sun is going to rise and they will run away. Genies are afraid of sunlight." It worked! All those genies thought that sun rose. They did not know the light was from the fire that burning the straw. And the noise from pounding the mortar was like the start of a new day. Bandung Bondowoso was angry. He knew Loro Jonggrang just tricked him. "You cannot fool me, Loro Jonggrang. I already have 999 temples. I just need one more temple. Now, I will make you the one-thousandth temple." With his supernatural power, Bandung Bondowoso made Loro Jonggrang a temple. Until now, the temple is still standing in Prambanan area, Central Java. And the temple is named Loro Jonggrang temple.(from indonesianfolklore)

Nyai Loro Kidul is a legendary Indonesian spirit, known as the Queen of the Southern Sea of Java (Indian Ocean or Samudra Kidul south of Java island) in Javanese and Sundanese mythology. She is also the legendary consort of the Sultans of Mataram and Jogjakarta, beginning with Senopati and continuing to the present day. Nyai Roro Kidul has many different names, which reflect the diverse stories of her origin in a lot of sagas, legends, myths and traditional folklore. Other names include Ratu Laut Selatan ("Queen of the South Sea," meaning the Indian Ocean) and Gusti Kanjeng Ratu Kidul. The royal house of Keraton Surakarta revered her as Kanjeng Ratu Ayu Kencono Sari. Many Javanese believe it is important to use various honorifics when referring to her, such as Nyai, Kanjeng, and Gusti. People who invoke her also call her Eyang (grandmother). In mermaid form she is referred to as Nyai Blorong. The Javanese word loro literally means two - 2 and merged into the name of the myth about the Spirit-Queen born as a beautiful girl/maiden, in Old Javanese rara, written as rårå, (also used as roro). Old-Javanese rara evolved into the New Javanese lara, written as lårå, (means ill, also grief like heartache, heart-break). Dutch orthography changed lara into loro (used here in Nyai Loro Kidul) so the word play moved the beautiful girl to a sick one - Old Javanese Nyi Rara and the New Javanese Nyai Lara.

Nyai Loro Kidul is often illustrated as a mermaid with a tail as well the lower part of the body of a snake. The mythical creature is claimed to take the soul of any who she wished for.Sometimes Nyai Loro Kidul literally can be spoken of as a "naga", a mythical snake. This idea may have been derived from some myths concerning a princess of Pajajaran who suffered from leprosy. The skin disease mentioned in most of the myths about Nyai Loro Kidul might possibly refer to the shedding of a snake's skin.The role of Nyai Loro Kidul as a Javanese Spirit-Queen became a popular motif in traditional Javanese folklore and palace mythologies, as well as being tied in with the beauty of Sundanese and Javanese princesses. Another aspect of her mythology was her ability to change shape several times a day.Nyai Loro Kidul in a significant amount of the folklore that surrounds her-is in control of the violent waves of the Indian Ocean from her dwelling place in the heart of the ocean. Sometimes she is referred as one of the spiritual queens or wives of the Susuhunan of Solo/Surakarta and the Sultan of Jogjakarta. Her literal positioning is considered as corresponding to the Merapi-Kraton-South Sea axis in Solo Sultanate and Yogyakarta Sultanate. Another pervasive part of folklore surrounding her is the colour of green, gadhung m'lathi in Javanese, is referred to her, which is forbidden to wear along the coast of Java.

Grebeg is one form of the existing tradition in Javanesse society. In Jogjakarta, known as areas that still upholds the traditions and culture of Java. Grebeg has become an annual agenda of its own in the life of society. The main purpose Grebeg namely as a form of gratitude to God Almighty for what He has been given to us. Grebeg is hold 3 times in a year in Jogjakarta palace. The 1st is Grebeg Maulud, it is the climax of Sekaten. Held yearly on the 12th day of the 3rd month  of the Javanese calendar.The history of Grebeg Sekaten come from Wali Songo especially Sunan Kali jaga. In ancient time culture and art is very important. It is one way to introduce Religion to Indonesian people Sekaten to showed to the people if just one God. The 2nd is Big Grebeg, Held yearly at the Sultan’s Palace on the 10th day of the last month of the Javanese calendar to commenrate Abraham’s test of faith when challenged to sacrifice his one and only son. The 3rd is Grebeg Syawal, Held yearly on the 1st day of the 10th month of the Javanese calendar (Syawal) at the end of Ramadhan, (see schedule) the Muslim holy month of fasting.

The event of marriage among the youngest daughter of Sri Sultan Hamengkubuwono X, Gusti Kanjeng Queen Bendara or Gray Nurastuti Wijareni with Kanjeng Prince Achmad Ubaidillah Haryo Yudanegara or held in October 18, 2011. President of Indonesia- Susilo Bambang Yudhoyono, 20 ministers and 40 Kings from various corners of the archipelago also attended the event. President and vice president, several guests from  friendly countries also attended the wedding procession of the Sultan’s daughter.

The royal wedding Jogjakarta palace, really be a happy party of thousands or even millions of people of Yogyakarta. Pair GKR Bendara and KPH Yudanegara was brought from the palace towards Kepatihan Ward, humans must divide the sea that has been closed path through which the bride. The procession accompanied the bride and groom who do reception in Ward Kepatihan bergada soldiers led by the palace. Both bride Jong Wiyat train ride in the second row of the procession–the accompaniment of a train. Both were wearing maroon kebaya with dressing Paes Ageng do groats.

Bedhaya Sumreg Dance is one of the “dance inheritance” property of the Jogjakarta Keraton Palace. Classical dance is not merely a composition of gestures that are created into a single entity serving the whole spectacle. But behind the dance classic, stored on a story or a very high philosophical meaning is conveyed as a message for the human life. Bedhaya Sumreg has meaning as an angel who danced to the accompaniment of gending Ageng Ladrang and Ketawang. Bedhaya Sumreg first appeared in the Sri Susuhunan Pakubowono I. After breaking into Kasuhunan Mataram Sultanate of Surakarta and Yogyakarta, Sri Sultan Hamengkubuwono I compile again Bedhaya Sumreg along with the establishment of Sultanate of Yogyakarta. When Sri Sultan Hamengkubuwono I run on the beach Parangkusuma Labuh ceremony, he was greeted with Bedhaya Sumreg who danced by the dancers from the South Coast.This Dance show about the attitude and the way taken by the leader in addressing shared problems of his era. Bedhaya messages conveyed by this is that human life on earth back to mutual respect and respect for all forms of differences with relationships based on kinship, cultural, and religious.

In Bahasa Indonesia:

Berbagai tarian kerajaan di Jawa memiliki nilai historis yang terletak pada posisi tangan, yang mendapat pengaruh dari tari India. Pengaruh meluas sampai di Bali yang ditambah dengan gerak mata. Tarian yang terkenal ciptaaan para raja, khususnya di Jawa merupakan bentuk teater tari seperti wayang wong dan bedhaya ketawang. Dua tarian ini merupakan pusaka raja Jawa. Bedhaya ketawang adalah tarian yang diciptakan oleh Raja Mataram Ketiga, Sultan Agung Hanyokrokusuma (1613-1646) dengan berlatar belakang mitos percintaan antara Raja Mataram Pertama, Panembahan Senopati dengan Kanjeng Ratu Kidul atau penguasa laut selatan yang ditampilkan oleh sembilan penari wanita. Bedhaya Sumreg merupakan salah satu tarian pusaka yang semula muncul pada masa pemerintahan Sri Susuhanan Paku Buwono I. Bedhaya Sumreg memiliki arti sebagai bidadari yang menari dengan iringan gending ageng, ladrang, dan ketawang. Tarian ini pernah dipentaskan dalam perayaan ke 250 tahun keraton dan 250 tahun kota Jogjakarta

Bedhaya Sumreg menjadi tarian yang sangat sakral dan juga sebagai tarian persembahan bagi para tamu yang datang ke kerajaan pada masa pemerintahan Sultan HB I-IV. Dan juga dipentaskan saat upacara naik tahta dan upacara pentahbisn raja hingga masa pemerintahan HB IV. Setelah Mataram pecah menjadi Kasuhunan dan Kasultanan Yogyakarta akibat dari Perjanjian Giyanti, tarian ini dibuat seiring dengan Sri Sultan HB I mendirikan Kasultanan Yogyakarta. Dikisahkan bahwa saat Sultan HB I melabuh di Pantai Parangkusumo, dia disambut oleh para penari dari pantai selatan. Dari situlah muncul gagasan untuk mengembangkan tarian di kerajaan.

Pada masa pemerintahan Sri Sultan HB II bedhaya pusaka ini mulai dibangun kembali dan diteruskan oleh Sri Sultan HB III yang akhirnya dipentaskan dalam peristiwa jumenengan dalem Sri Sultan HB IV. Melalui berbagai tulisan tangan yang diperoleh dari pencatatan gerek tari hingga pemerintahan HB IV. Hingga kini bedhaya yang berati lampah, bedayan yang berasal dari kerjaan Mataram itu akhirnya diwarisi oleh Kasultanan Yogyakarta.

Sesuai dengan namanya Bedhaya Sumreg ini membawakan cerita yang penuh dengan gejolak dan intrik seiring dengan masa-masa pemerintahanya. Asal-usul kolonialisme perang Jawa yang sebenarnya dan secara khusus mengenai sikap dan cara yang ditempuh oleh para pemimpin dan negerinya di masa itu untuk menghadai masalah zamanya. Inspirasi perang Jawa itu berpengaruh hingga kini dalam berbagai bentuk kolonialisme yang lebih canggih seperti ekonomi, politik, dan budaya. Terlebih sering mendapatkan legitimasi international yang tak ubahnya seperti perang suksesi dinasti Mataram untuk merebut tahta dan kursi.

Borobudur Temple is one of the greatest Buddhist monuments in the world. This colossal relic of Borobudur Temple was built by Sailendra dynasty between 750 and 842 AD; 300 years before Cambodia’s Angkor Wat, 400 years before work had begun on the great European cathedrals. Little is known about its early history except that a huge tropical heat to shift and carve the 60,000 Cu m of stone. Sir Thomas Stamford Raffles revealed Borobudur Temple in 1814. He found the temple in ruin condition and ordered that the site be cleared of undergrowth and thoroughly surveyed. The massive restoration project began from 1905 to 1910 led by Dr. Tb. van Erp. With the help of UNESCO, the second restoration to rescue Borobudur was carried out from August 1973 to 1983.The overall height of Borobudur was 42 meters, but it is only 34.5 meters now (after restoration), and has the dimension of 123 x 123 meters. The building has 10 floors or levels: Hhumtcambharabudara, the mountain of the accumulation of virtue in the ten stages of Bodhisatva. Borobudur is located 41 km northwest of Yogyakarta, 7 km south of Magelang, Central Java.

The Boko Queen Temple or Candi Ratu Boko is three kilometres south of Prambanan temple complex. The name "Candi Ratu Boko" was given by the locals just based on a legend of Ratu Boko, Rara Jonggrang's father. This site lies on a small plateau about 196 meter above the sea level. The remains cover the areas of two villages, Dawung and Sambirejo, belong to Jogjakarta Special Territory Province. The views from the plateau's ridge are most beautiful during the dawn or in the late afternoon. 

The Boko Queen Temple structure are devided into three clusters. The 1st consits of an impressive gateway and a large stone structure with a central depression-perhaps ancient crematorium. The 2nd set of ruins lies a few hundred metres 500th. These consists of several stone fondations and enclosures, including a set of bathing pools. The 3rd cluster, several hundred metres north of the first enclosure, consists of two artificial meditation caves, a square pool and a staircase. 

Ratu Boko was probably built in about the 8th century by the Buddhist Sailendra's and later took over by Hindu Mataram. Van Boecjholzt discovered it in 1790. In 1989 - 1990, Subroto in his research concluded that there is a lot of similarities between the components of Boko Queen Temple and some early palaces in India. Who was the founder? How long had it been dwelled? We haven't known them until today. In fact, we even haven't known the function. Was it used as a royal park, a palace, a fort or a shrine temple?

Base of Public BuildingIts located outside the fence, about 1.5 meters to the east. Its base which is 38 m long, 7 m wide and 1.5 m high lies north to south. There 4 steps on the west side. 20 pedestals are found on its floor. There are also 4 grooves which were possible used for laying walls partitions. Bathing Palace (water reservoir). This complex lies to the east of Pendopo and consists of 3 groups. The complex are bordered by rectangular fence. the first group consists of 3 square pools, two of them, pool A and B, lie north to south. There is a gate between pool A and pool B. The second group consists of 8 round pools devided into 3 rows. Miniature Temples. These temples are located in the south east of  The Pendopo and are formed of 2 temple-flankers and middle largest one is called the main temple.

Group of Keputren (Princessly Palace) The third group consists of a rectangular pool only, 31 x 8 square m, surrounded by the fence with 2 gates on the south west side and the north east side. A ruined gate is found about 20 meter in the south of the other groups. A ruin of stone structure is also found about 60 meters from that gate with its floor which is still in good condition. Its base has the shape of a square measuring 20 m long and 20 m wide. There are 28 pedestals on the floor.

Group of Caves These two caves are located on the south slope of a rocky hill. Male CaveIt lies about 300 m to the north east of Base of Paseban measuring 3.5 m long, 3 m wide and 1.5 m high. Two recesses are engraved on the inside back wall and a recess on the other respective inside walls. Female CaveIt lies about 20 m to the south east of Base of Paseban and lower than the Male Cave. This cave is smaller. A recess is engraved on the inside back wall.

Prambanan is one of beautiful temple in Indonesia. It also the biggest temple complex in Java. There are 224 temples in the complex; three of them, the main temples are Brahma Temple in the north, Vishnu Temple in the south, and the biggest among the three which lies between Brahma and Vishnu temples is Shiva Temple (47 meters high). These three ancient masterpieces of Hindu architecture are locally referred to as Prambanan Temple or Lorojonggrang Temple. One of its appeals is the wealth of sculptural detail. The well known one is on the inner wall of the balustrade, the wonderfully vital and utterly engrossing Ramayana epic. Perhaps one of the most majestic temples in the South-East Asia, Prambanan attracts many admirers each year from abroad. Situated about 15 kilometers from Yogyakarta, the top of the main shrine is visible from a great distance and rises high above the scattered ruins of the former temples.

Prambanan is the best seen shortly after dawn or in the late afternoon. However it is still beautiful at any time.Prambanan Sunrise Enjoy sunrise behind the glory of Prambanan Temple. Visitors should be at the location-in the area of The Open Air Theater and archaeological park of the temple-before sun rise at about five o'clock in the morning. Playground A park designed specially for children and the rest of your family to play in and have fun while enjoying the beauty of Prambanan Temple. Archeological Museum The museum where you can learn about the ancient history of Prambanan and all the surrounding temples and Wanabaya's discoveries.

The Wayang Kulit (shadow puppets) whirl in front of the stage. Their movements are smooth and rhythmic according to the crash of gongs and bells. The shadow pupets are carved from the skin of the water buffalo. With a thin knife, they create fine, lace-like details. These are painted in bright colours. Moveable arms are attached before the painting begins. Each puppet's face is different, as his or her character is reflected in the features and expressions. It is the DALANG (puppet master), who brings these puppets to life before the large paper screen.He manipulates the figures in amazingly beautiful and life-like manner. On the screen, the characters can run, laugh,argue and fight.The dalang is diplomatic and charming leader of the performance. He varies his voice to suit the puppet's characters and mood. Conversing in both the local and aristocratic levels of language ,he spins stories of religion and history. The dalang also cues the gamelan orchestra to changes in the tempo by various signals. so, how about yogyakarta? 

The Ramayana is an epic derived from the stories of india. The name of the characters and locations had been changed when the stories were brought to Java. These stories have spread throughtout the archipelago over the centuries. The Ramayana recounts the adventures of Rama. The hero is the dashing Prince Rama , an incarnation of Hindu god Wishnu. He was fated by the gods to kill Rahwana, the evil king. Banished from the palace with his beautiful wife Sita, Rama heads for the forest. Sita is kidnapped by evil king. In his search for Sita , Rama enlist the help of the monkey god Hanoman. The monkey king, with his band of monkeys, goes to war with Rahwana. He wins and rescues Sita. The best place to watch this greatepic is Yogyakarta. There on a most enchantingtage this ballet is performed by the light of the full moon. it is absolutely magical ,the costumes are both bright and flowing. The air crisp, the music is haunting and it captures the beauty and passion of INDONESIA cultures. SO, welcome to Yogyakarta.